
Best Of All Time
from US Mono Vinyl
This compilation
complements Q’s excellent “Complete Time Series” collection by bringing
together onto one CD arguably the best 15 tracks from across the series, and in glorious mono!
If you’re a casual
fan, or daunted by the thought of the larger 52-track collection, then this
compilation is for you. Painstakingly transferred from pristine vinyl and
mastered in 24bit by Q, this title is presented
in both 24/96 Hi-Res and 16/44.1 Redbook CD
versions.
Over 60 minutes of
pure Brubeck genius!
01 - Blue
Rondo A La Turk
02 - Take
Five
03 - Three
To Get Ready
04 - It's
A Raggy Waltz
05 -
Unsquare Dance
06 - Bru's
Boogie Woogie
07 -
Countdown
08 -
Eleven Four
09 -
Castilian Drums
10 -
Iberia
11 -
Unisphere
12 - Theme
From Elementals
13 - Lost
Waltz
14 - 40
Days
15 -
Cassandra
Tracks 1-3 from
“Time Out”; 4-6 from “Time Further Out”; 7-9 from “Countdown: Time In Outer
Space”; 10-11 from “Time Changes”; 12 from Columbia single 4-42920; and 13-15 from “Time In”.
I’ve always found the stereo separation “distracting”. Great for a concert hall experience, but not for that studio feel. Prior to this project I enjoyed “Time Out” and “Time Further Out”, but just didn’t get into the other titles. That changed considerably though when I heard them in mono. Suddenly there was depth, there was power. Centred drums and deep bass made a huge difference, and I now find that all the mono albums get regular play on my system whereas the stereo CDs are gathering dust in the corner.
Enjoy!
==About the transfers==
With the
exception of track 12, these tracks were transferred from albums in near mint
minus or better condition (three were near mint and one was unsealed by me just
for this project). Track 12 was transferred from an EX single. My aim was to
create something that sounds like an “official” release, so albums with groove
wear or other obvious damage didn’t make the grade. I then spent many tens of
hours manually removing vinyl clicks, pops and ticks. However, you might
occasionally hear what sounds like vinyl clicks or noise on some of the tracks.
Such noise is not from the vinyl. As many listeners will know, jazz recordings
can sound quite "dirty", with clicks and other noises captured on the
master tape from vibrating strings, breath intakes, instrument valve movements
and just general background noise from recording limitations of the time. For
removing clicks and the like I used a second copy or the official CD as a reference.
If the noise existed on the reference copy, it stayed on my 'drop as a faithful
reproduction of the original master tape and of the exact sound that you heard
all those years ago. Likewise I have applied no EQ, NR or filtering, so tape
hiss, 60hz cutting hum and other similar noises inherent in the original
recordings are still in place.
LP Sources
Time Out:
Columbia Records “6-eye”; CL 1397 (XLP47853-1BG/XLP47854-1CC)
Time
Further Out: Columbia Records “6-eye”; CL 1690 (XLP53955-1C/XLP53956-1F)
Countdown:
Time In Outer Space: Columbia Records “6-eye”; CL 1775
(XLP55595-1AA/XLP55596-2H)
Time
Changes: Columbia Records “Guaranteed High Fidelity”; CL 2127
(XLP75904-1E/XLP75905-1B)
Time In:
Columbia Records “360 Sound”; CL 2512 (XLP113717-1D/XLP113718-1D)
Lineage
(for all)
Vinyl
-> Ortofon 2M Blue -> Project Xpression III (w/ SpeedBox II) -> Denon
PMA-700AE -> 32/96 -> ClickRepair/Audition -> 24/96 and 16/44.1 (iZotope
RX 2 Advanced) -> FLACDrop
thanks for the hard work in all the stuff you put up it is fantastic!
ReplyDeleteThis looks fantastic, so much work, so much love for details - seems to be a must ! Will dl !
ReplyDeleteGreat compilation for the uninitiated, with original mixes and quality sound.
ReplyDeleteThank you.
Thanks a lot for your effort!!
ReplyDeleteThank you so much!
ReplyDelete2xCool. Thank you very much! Again!
ReplyDelete